Numidian Killing Machine recruit drummer Krzysztof Klingbein for next release
Arka’n Asrafokor set Lomé show for 30 May
Primordial Black part ways with Darkside Records
Battersby release new single and video “Arrows”
PLUM releases new single and video “Reach Out”
From The Mind Theatre to ‘Falling Joy’: Mark Biagio, The Fismits, and the Long Memory of South African Indie Rock
Anas Ibn Malek Abid: “The identity of my music was built the night I walked on stage alone”
Hope of a Dreamer play deathcore in a place where it barely exists
Poisoned Blood: “Metal is no longer just a Western-world thing.”
Devil Empire: “We had to create our own space”
Winter Metal Mania takes Botswana’s metal spirit on the road
Anas Ibn Malek Abid revisits “King of the Undying” with new recording and remaster
Nigeria enters the Wacken Metal Battle Africa picture
Wacken comes back to Gqeberha
KZN gets another Wacken night at Westville
Sons of Solomon “Genesis”
Mad God “An Age of Ash”
Kaldeira “Fournaise”
Primordial Black “Monas Hieroglyphica” EP
Amber Light Choices “Stitches”
LUFEH talk ‘Overwhelmed’, Sunset Sound and a new line-up
Rohan turns death metal into headbangers’ work
Rankin talk ‘Chrysalis’, Malta and groove metal
Crusher talk ‘Uprising’, thrash metal and the crowded live market
The HU announce new album ‘Hun’
Max Marginal announces Weatnu Records signing, teases new releases
LIMINAL FEST 2026 brings Constellatia, VastVale, Strage and P+A+G+E+S to District Live
Wacken Metal Battle Africa 2026 lands in Mozambique with Maputo heat at Gil Vicente
Emalyth Fest 2026 shares set times for Johannesburg show
Tinariwen return to their roots on new album ‘Hoggar’ and share ‘Sagherat Assani’ ft. Sulafa Elyas
Metal Blast Festival opens global band applications for first 2026 event; sets February 6 deadline
Scarab Reveal Release Timeline: ‘Transmutation of Fate’ and ‘Blinding the Masses [Reincarnated]’ Locked in for 2026
Myrath unveil “Soul of My Soul”, the third single from Wilderness of Mirrors
Kekal “Acidity”