Numidian Killing Machine recruit drummer Krzysztof Klingbein for next release
Arka’n Asrafokor set Lomé show for 30 May
Primordial Black part ways with Darkside Records
Battersby release new single and video “Arrows”
PLUM releases new single and video “Reach Out”
From The Mind Theatre to ‘Falling Joy’: Mark Biagio, The Fismits, and the Long Memory of South African Indie Rock
Anas Ibn Malek Abid: “The identity of my music was built the night I walked on stage alone”
Hope of a Dreamer play deathcore in a place where it barely exists
Poisoned Blood: “Metal is no longer just a Western-world thing.”
Devil Empire: “We had to create our own space”
Winter Metal Mania takes Botswana’s metal spirit on the road
Anas Ibn Malek Abid revisits “King of the Undying” with new recording and remaster
Nigeria enters the Wacken Metal Battle Africa picture
Wacken comes back to Gqeberha
KZN gets another Wacken night at Westville
Sons of Solomon “Genesis”
Mad God “An Age of Ash”
Kaldeira “Fournaise”
Primordial Black “Monas Hieroglyphica” EP
Amber Light Choices “Stitches”
Crusher talk ‘Uprising’, thrash metal and the crowded live market
The HU announce new album ‘Hun’
Kekal “Acidity”
Kekal revisit “Acidity” twenty years later
Trivan turns grief into “Abyss Of Crawling Shadows”
No More Can Be Done: P+A+G+E+S Put Cape Town’s Reality on Record
Max Marginal on Silent Obsession’s “Against the Process” and the songs he writes alone
Swazi’s ‘Spectres of the Past’: A 17-Track Metal Album Built in Isolation
Arka’n Asrafokor: Togo’s Only Metal Band, and the Sound That Makes the Stereotypes Collapse
Libya’s Jonathan Steel: Nine Circles and One Slow Descent
Overthrust, Botswana’s death metal cowboys, on keeping the scene alive
Rhythm before riffs: LohArano turn Malagasy pulse into heavy music on YMAIMA
Tagrest: winter-born black metal from Morocco’s Atlantic side
