Last Blast returns to Sognage for Emalyth Events’ final metal show of 2026
More bands cut ties with Darkside Records as dispute widens
DUSK release ‘My Name Is Dahmer’ ahead of Man Made Monster EP
The Medicine Dolls premiere new video for ‘Twisted By The Sound’
Botswana’s Sedimo invoke ancestral spirits on ‘Revenge of Badimo’
Deadly Since find their footing in South Africa’s melodic death metal scene
The Color Blew: A Return to Innocence
Chovu: Shamanic Black Metal
Maddox Theory: Cairo & Deathcore
Scarab: Egyptian Alchemy
Studio Report: Raven In Flesh
Caitlin Mkhasibe: Painting the Sound of African Metal
Mist of the Desert: Three bands on the Present and Future of Egyptian Metal
Human Nebula represent Africa at Wacken Metal Battle
5150 Clothing: Loud by Design
Vale Of Amonition “Immortalizing the Lugubrious, or Those of Evolving Despair”
Dusk “The New Land”
Scarab “Transmutation of Fate”
Znous “Aleph𐤀Beth𐤁Gimel𐤂”
Maddox Theory “Kamidogu”
HUMERROR: “The object changes. The behaviour often doesn’t”
Spider Mother Earth on ‘Reborn’, independence and starting again
Metal.Rocks expands 24/7 heavy music channel across Smart TV platforms
Northern Krig: Cut from a different cloth
Saiseiga open a new chapter with Kurobutai
Primordial Black: Yasser Mahammedi Bouzina on Heterotopia
Chaos Doctrine: Building an Unholy Empire
DUSK: “Man Made Monster” and the darkness within
From The Mind Theatre to ‘Falling Joy’: Mark Biagio, The Fismits, and the Long Memory of South African Indie Rock
Anas Ibn Malek Abid: “The identity of my music was built the night I walked on stage alone”
Hope of a Dreamer play deathcore in a place where it barely exists
Poisoned Blood: “Metal is no longer just a Western-world thing.”
Devil Empire: “We had to create our own space”
