Last Blast returns to Sognage for Emalyth Events’ final metal show of 2026
More bands cut ties with Darkside Records as dispute widens
DUSK release ‘My Name Is Dahmer’ ahead of Man Made Monster EP
The Medicine Dolls premiere new video for ‘Twisted By The Sound’
Botswana’s Sedimo invoke ancestral spirits on ‘Revenge of Badimo’
Deadly Since find their footing in South Africa’s melodic death metal scene
The Color Blew: A Return to Innocence
Chovu: Shamanic Black Metal
Maddox Theory: Cairo & Deathcore
Scarab: Egyptian Alchemy
Studio Report: Raven In Flesh
Caitlin Mkhasibe: Painting the Sound of African Metal
Mist of the Desert: Three bands on the Present and Future of Egyptian Metal
Human Nebula represent Africa at Wacken Metal Battle
5150 Clothing: Loud by Design
Vale Of Amonition “Immortalizing the Lugubrious, or Those of Evolving Despair”
Dusk “The New Land”
Scarab “Transmutation of Fate”
Znous “Aleph𐤀Beth𐤁Gimel𐤂”
Maddox Theory “Kamidogu”
HUMERROR: “The object changes. The behaviour often doesn’t”
Spider Mother Earth on ‘Reborn’, independence and starting again
Metal.Rocks expands 24/7 heavy music channel across Smart TV platforms
Northern Krig: Cut from a different cloth
Saiseiga open a new chapter with Kurobutai
This Week’s Top 5 African Songs (6 February 2026)
SummerFest’26: the Metal4Africa night people kept talking about
What Happens After Wacken: Sashquita Northey Breaks Down the Myth of the Instant Breakout
Building the party: Emalyth’s Sashquita Northey on shows, Sognage, and the South African grind
The Spinäl Session That Made Me Stop Scrolling: Cistamatic Live in Cape Town
Botswana Metal’s Breakout: Overthrust, Wrust and the Documentary That Changed Everything
Algeria’s Jugulator Declare War on Humanity with Concept Album “Imperator Insector”
“People should stop assuming women are oppressed in Muslim-majority countries”: Cartagena’s Nesrine Mahbouli on Tunisia, metal, and identity
