GlobMetal Promotions works across a wide part of the underground metal map, and the five releases chosen by founder Kostya Aronberg give a useful way into that world.
Jake Worden’s “Born Into Black” comes from a gothic doom tradition shaped by Type O Negative and Peter Steele, while Teeth of Lamb’s “Deathward” heads into faster melodic thrash. Abitha’s “Songs of Perdition” brings a more personal angle, with melodic groove metal tied to questions of faith, doubt and self-reclamation. Astral Goat Dominion’s “Only Lucifer and Fuzz” sinks into doom, fuzz and occult stoner metal, while Shade Of Memories’ “Pyramid” brings progressive heavy metal into a more visual and concept-driven space.
Together, the five choices show how broad the agency’s catalogue can be. For Aronberg, these records stand as milestones for different reasons. Some mark debuts. Some show an artist finding a clearer voice. Others capture a project working inside an established genre while giving it enough personality to stand apart. What connects them is the sense that each release knows what it is trying to do, which is often what gives underground metal its staying power in the first place.
“‘Born Into Black’ is not trying to reinvent doom metal. It simply understands it on a deeper level and executes it with confidence.”
Jake Worden “Born Into Black”
«With “Born Into Black”, Jake Worden delivers an album that feels genuinely lived in, like it was carried around for years before taking shape. Rooted in the gothic doom tradition shaped by Type O Negative and the unmistakable presence of Peter Steele, this release goes beyond influence and finds its own voice through atmosphere, patience, and detail. The combination of heavy, deliberate riffing, layered orchestration, and Worden’s deep, expressive vocals creates a sound that feels both familiar and personal. There is weight to it, but also certain aware moments that almost feel like a quiet nod to the genre’s inherent drama, without ever breaking the mood. It is this balance that makes the album stand out. “Born Into Black” is not trying to reinvent doom metal. It simply understands it on a deeper level and executes it with confidence, making it a strong and memorable milestone release.»
Teeth of Lamb “Deathward”
«With “Deathward”, Teeth of Lamb come out swinging with a release that feels sharp, fast, and fully under control from start to finish. Built on razor-edged melodic thrash riffs and driven by relentless, high-speed drumming, the album never really slows down, but it never feels chaotic either. There is a clear sense of direction behind it. As a trio, they keep things tight and focused, letting each element hit harder, especially the combination of Wolf J.’s precise guitar work and raw, commanding vocal delivery. You can hear hints of melody woven into the aggression, giving the songs more depth without softening their impact. There is also a subtle theatrical edge in the background, not overdone, but enough to give the record its own identity beyond standard thrash formulas. “Deathward” feels modern, confident, and well executed, the kind of album that sticks because it knows exactly what it wants to be and does not waste a second getting there. It is a strong and memorable milestone for GlobMetal Promotions.»
Abitha “Songs of Perdition”
«With “Songs of Perdition”, Abitha delivers something that feels far more personal than your typical metal release. It is a turning point put into sound. Rooted in melodic groove metal but shaped by a real-life journey of faith, doubt, and self-reclamation, the record carries an emotional weight that comes through in every track. There is a strong sense of contrast throughout, with heavy, groove-driven riffs colliding with memorable hooks and melodic passages that give the songs a surprisingly accessible edge, somewhat echoing the approach of Ghost but with a more direct and personal intensity. What makes “Songs of Perdition” stand out is how honest it feels, with themes of breaking away, questioning identity, and confronting the past driving the music forward. The songwriting balances aggression with clarity, never losing its grip on the listener while still allowing space for atmosphere and reflection, making it the kind of release that reveals more with each listen. As a milestone, this album introduces Abitha, establishes a clear, authentic voice, and marks a strong, confident step forward.»
Astral Goat Dominion “Only Lucifer and Fuzz”
«With “Only Lucifer and Fuzz”, Astral Goat Dominion deliver a debut that feels less like a collection of songs and more like a fully immersive ritual. Rooted in doom and stoner metal but soaked in psychedelic haze, the album moves with a slow, deliberate confidence, pulling the listener deeper into its hypnotic atmosphere with each passing track. Massive, fuzz-drenched riffs form the backbone of the sound, merging almost seamlessly with the bass into a dense, suffocating wall, while the use of programmed, martial rhythms adds a cold, mechanical pulse that keeps everything locked in a trance-like flow. Vocals come across more as incantations than traditional performances, reinforcing the album’s occult, ceremonial feel. You can hear echoes of Electric Wizard, Black Sabbath, and Kyuss, but the band manages to fuse those influences into something cohesive and deeply atmospheric rather than derivative. “Only Lucifer and Fuzz” stands as a strong debut statement: focused, unapologetically heavy, and committed to its vision, marking Astral Goat Dominion as a project with a clear identity and a sound built to linger.»
Shade Of Memories “Pyramid”
«With “Pyramid”, Shade Of Memories continues to refine its identity as more than a music project. It is a carefully constructed artistic vision led by Jay Pratt. Built on a foundation of progressive heavy metal, the single blends disciplined, precise guitar work with a cinematic sense of scale, giving the track a feeling of constant forward motion. There is a clear emphasis on structure and storytelling here. The “Pyramid” concept comes through in the lyrics and visuals, and in the composition itself. Layer by layer, the track grows into something solid and impactful. Compared to earlier material, there is a noticeable confidence in how melody and heaviness are balanced, allowing the song to feel technical and accessible. As a standalone release, “Pyramid” works as a strong continuation of the project’s evolution, reinforcing Shade Of Memories as a focused, concept-driven act that understands how to merge music, narrative, and atmosphere into one cohesive experience, a clear milestone for GlobMetal Promotions.»
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